Articles, essays, editorials, and meditations on T&W’s mission, “educating the imagination.”
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lesson by Sheila Maldonado as told to Azka Anwar There are some lessons that I rely on as a teacher for their success with students at many different levels, usually with minimal adaptation required. The lesson below is one of them; students take to the prompt quickly and with little resistance, possibly because the prompt…
the featured image is from electricliterature.com by Annabel Paulsen “[Queerness] is not something to be ashamed of, and I’m coming from a place of privilege because I was not ashamed. I want [my students] to feel the same freedom, and that’s why in my teaching, in my writing, in the artists I have picked for…
by Madison Stuart Teachers are keepers of names. Some corner of my brain is cluttered with Alexanders and Amanis and Keanus and Kylies. That first day of school, working down the roster, teachers wield a great appellative power; how many Pomaikaimaikekukunaokalamekahos who go by Po, Zhijias who go by Roy, Shar’lynnruths who go by Shari?…
T&W writer Matthew Burgess brings us a new poetry activity which uses the poems “Black Nikes” by Harryette Mullen and “Disillusionment of Ten O’Clock” by Wallace Stevens as mentor texts that encourage wordplay, imaginative leaps, and experimentation with form.
by Kendra Stanton Lee “All I have are Iggy Pop and dirt-biking before I got locked up,” one student shared with the class. That sounds like plenty of material to me, I said, as I began to jot some of the student’s memories on the board. First, I drew a large rectangle box in dry…
The following article was originally published in print by Teachers & Writers Magazine. by Bill Zavatsky My first sustained reading of Whitman took place in the fall of 1965 or the spring of 1966. It was his “Song of Myself,” a good chunk of which I read while sitting in a lobby at the New…
Paola Capó-García chose to address the challenges of virtual instruction by having her high school students do a deep dive into poetry, allowing them the time and space to explore their own poetic voices.
2021 Bechtel Prize Runner-up Sue Granzella’s elementary school students became enthusiastic poets and wrote their feelings about the pandemic with profound depth.
“Fictional stories and poetry are often held together by fact, and this lesson shows students how they can weave practical knowledge into imaginative writing.” Educator Diane Conmy shares one of her favorite lessons, inspired by autumn and the book “Autumn Leaves” by Ken Robbins.
In this interview, Felicia Rose Chavez and poet and T&W writer Amanda Volel discuss Chavez’s new book “The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom” and how to incorporate anti-racist practices and mindfulness into your workshop classroom.